In vaguely browsing through the music I have, I came across a folder in my Jazz collection called "Late Night Jazz Ballads". It was 2:30 AM, and I couldn't see any reason not to play it. Work was a good 6 hours away, and a few soothing progressions couldn't hurt. As I lay propped on my elbow, listening to Jimmy Smith, Dexter Gordon, Ike Quebec and the likes, I had this little memory run-through of all the memorable 2:30 AMs I've had. Owing to my wallpaper being this hard-earned photo of the BITS, Pilani clocktower I'd clicked with the sun setting next to it, the run-through kicked off with memories of Oasis last year. Good times. Expectations shattered. The tones of the tenor sax were more than the perfect catalyst to provoke the memory-walk. I was left wondering why I'd never pulled out this folder before. I imagine all the effort that goes behind a jazz piece. To be technically perfect, to recognize that perfect progression to hit that perfect mood. But I guess in the end, every jazz artist just wants to soothe, just wants to sound good.
As I write this, I realize I don't like getting profound about my music. I would never write a post about any music, overflowing with superlatives, because in my music, the two letter word is the operative (Credit to NT for that very useful phrase). I don't like making an epic out of a piece, I don't like writing about it as if I know every facet of it, because I never will. A true priest will never glamourize God in his writings. A true soccer fan will never write about a particular goal in a rambling fashion. For worship brings with it respect, and when you respect something, you want to attach a humble outlook to it. I might speak more than what is good for my well-being about music, and about particular aspects of it, but when I write it down, I plainly want it to soothe. I just want it to physically light up the senses. I just want it to sound good. Just like a Late Night Jazz Ballad.
Off my Journal (the wine and the divine)
1 year ago