Blossoms Blooming

We’re already a month into the New Year. I read Sugar Magnolia’s bundle-of-sunshine post here, ushering in February with much joy and exuberance and it really did make my day. It’s difficult to see the bright side of things when you’re locked up in an office with practically nobody to talk to and with that messed up work culture your mommy warned you about. The big daddy of a typical core manufacturing firm. Where your card swapping in-out time holds infinitely more importance than the actual work you put in. Where you’re allowed to spend as much time “roaming around on the shopfloor” trying to “learn things”, but when you plug in a pair of earphones to drown out distractions so you can finish your work much faster, oh you are so dead with those looks you’ll get.

Every manufacturing firm has production line down-time, and every single goddamn one of them wants to reduce it. Obviously. And who best to blame for this than the maintenance guys, who’re supposed to wrap up their maintenance duties in infinitesimal amounts of time. The best part is, the boys over at maintenance couldn’t care less. They’ve gotten their minds attuned to the fact that the blokes over at production simply hate their guts and just don’t get it. The end result of this is free-floating hostility all over the place.

With the severe lack of documentation, it’s terribly difficult to actually figure out why this is happening. Enter stage left the intern, who has no regular duty and is meant for bitch-work in general. Give him a pile of 30-odd log books with utterly illegible scribbling of what are allegedly downtime reports, and tell him to sort out the data, channel-wise. Give it a fancy name, and make him document the data in the form of a soft-copy.

What the above rant essentially means is, that I’ve been entering illegible data onto an excel sheet for the last two weeks or so. 8 hours a day. My eyes, neck and other assorted body parts hurt. Which makes it rather difficult for me to see the bright, lustrous, colour-laced season of love that is February.

But what helped, was that post. It hit me in that one split-second, that however relatively dark my world has become, there’s still an insanely beautiful world out there. And the fact that it exists is enough to get me grinning through the day.

Thank you, Sugar Magnolia!

The finer things

(Note: This was written in the library while around a 100 people were studying around me. It's more of a spillage of thoughts, not a carefully crafted article)

I recently happened to read a rather intriguing article in the editorial page of the Economic Times. Does the name Joshua Bell ring a bell? (heh) He's a grammy-winning violinist who once decided to conduct a social experiment on being prodded by a Washington Post columnist. He donned a t-shirt, a baseball cap, a pair of rugged jeans and played his best compositions outside a Washington metro station, as one of those buskers by on the pavement. Out of over a thousand people who passed by, apparently, only seven stopped to listen, and, amazingly, one recognized him. There's stats on how much cash he collected from the people who stopped to listen (apparently the guy who recognized him payed him $20, i don't know how that's a sign of respect and all) but let's not go there.

Of course, the columnist who came up with this idea and later wrote about it got quite a few accolades for it, including the 2008 Pulitzer prize. (Oh, he won another Pulitzer in 2010. For an article on something along the lines parents killing their children by leaving them in cars. Don't ask) The point of this entire charade was to prove that people have "no time to stand and stare". That they pay substantial amounts, $100 for a half-decent seat, to listen to the same guy at his shows, but they really wouldn't stop for him at the metro station.

The idea stands. Strong and steady. We've all got quite a busy schedule. People don't have time today, there is always something or the other on their minds keeping them tensed and taut. What the columnist wanted to convey was that human relations aren't the key anymore, it's all about alienating yourself from human contact, being alone and calling it competition.

But you've gotta admit there's a better way of proving it. This experiment proves nothing except the author's talent of making 45 minutes sound like an epic.

I discussed this issue with a friend over tea. I honestly didn't see the big deal. Agreed, it's a racy life, nobody has the time to appreciate beauty even when it's staring you in the face. And as for recognizing the guy at the metro station - Thin about it, if Ustad Amjad Ali Khan or some other Indian virtuoso were to be standing in a below-average attire at CST station at 10 AM, how many people would recognize him?

What did come out of it, though, was a realization that there's people who're working on it. Working on trying to show the world how out-of-hands the pace of the world in general has gone. I know I'll get questioning looks and advice that it's a dog-eat-dog world, and survival of the fittest and all that, but I still firmly believe that the finer things of life are seldom appreciated.

But what change do I expect? What are these social experiments going to achieve? There is no way the amount of competition, the insanely workaholic habits of people in general are going to change. I guess all that matters is if one realizes what happiness is for oneself.

Whatever be the case, one thing's for sure. Joshua Bell in a metro station is not the way you prove this.

The moment

One of the most crowning moments in the intricately drawn (drawn as in wire, not a sketch) history of Jethro Tull is, expectedly, in their self-proclaimed epic. Ian Anderson's answer to critics reading too much into their most famous album, "Aqualung" and calling it a concept album. He supposedly got slightly pissed and decided to give them the biggest and the most single-tracked (heh) concept album, Thick as a Brick.

Thick as a brick is approximately forty four minutes long. It segues into so many musical styles and moods, it's hard to believe the song to be even a minute shorter. In fact, fitting so much into hardly a three quarters of an hour is an achievement in itself.

This moment I speak of comes somewhere at 17 minutes, a minute or two after the song's famous intro has reprised. A sudden glimpse of a melancholy theme, a minor scale later, they break into that tune. That moment. The tune which radiates hope, which is the breaking of light from lament, could not have been better. Perfect execution, just the right character, just the right tone. Barrie Barlow is an arrant wizard at the drums, and the moment seems way too wonderful to just be born out of a long song. It deserves a pedestal of its own.

Maybe it is not the technical genius that lends it the beauty. Maybe it's just the hope. Maybe that's what we look for, and maybe that's what lends most things their beauty.

Top songs - 1

This, hopefully, will build up into another series. Songs currently spinning around my head, refusing to leave, and leaving that permanent mark. Songs whose lyrics keep popping up while I'm sitting at Nescafe, or whose solo I would hum inappropriatly loudly even while in the library, and very subconsciously.

TS, I shall name it. I've got this affection to short-formed-series now.

Anyway, here goes.

Mr. Big - Green Tinted Sixties Mind

No, I didn't make it for the Big concert. I did hear another incredibly talented band, Slain from Bangalore, perform it in college recently. The first time I heard the song was them performing it a year ago, at the BITS rock night. It is still a mystery to me why I hadn't explored Mr. Big till that late. The signature happy-jumpy intro and the perfectly fitting soloing by Gilbert, Eric Martin's intense emotion-filled vocals make this song an instant mood-lifter!

Zero - Christmas in July

Another song which became so much better after hearing it live. Yes, I did witness the God of tone, Warren, at I-Rock, and good GOD did he own the concert! Among all the other names that performed that night, Warren stood out like a saviour of good music. It poured that day like there was no tomorrow, and we still stood in the killing rain and heard every note played by the man! Something about this song that makes it in the switch-off-lights-throw-head-back-and-drown category! One of the best guitar instrumentals I've heard by anyone ever, let alone an Indian artist!

The Jimi Hendrix Experience - Rainy Day, Dream Away/Still Raining, Still Dreaming

"Rainy Day, Dream Away

Oh let the sun take a holiday!"

Along with his pioneering guitar sounds, Hendrix has never stopped amazing me with his lyrics. The recent showers in Goa drew me to these two songs. The experience of listening to the songs one after the other, over and over again, while the rain pelted down on my window was one of the most memorable ones I've had! Every time it starts raining after that, I can't stop myself from humming those lines now.

The Allman Brothers Band - Whipping Post

Be it that sexy little melody after "Sometimes I feel..." in the song, or the solo, or the haunting bassline running through the song - this one's one of those everlasting ones. One of those that never get old, or you never get bored of. It's the pinnacle of progressive electric blues, what with the 11/8 verse and the 12/8 chorus! And the crowning moment of this song is that 22-minute live epic in the Filmore East tapes. Everything about those 22 minutes exalts pure Blues power!

Grateful Dead - Box of Rain

I had to really think before I typed out the name of this song, mostly because the entire American Beauty album has been one of my favourites ever since the semester began. But what with the weather being at its most beautiful yet (obviously in the middle of tests, when rather than breathing it into my system, I need to sit in the library studying and watch it through glass windows), I thought Box of Rain would be fitting. Not anywhere else have I seen vocal melodies pulled off so perfectly. The lyrics just seem to flow and in the tandem of seemingly disconnected music from three guitars rises a melody so uplifting, so joyful and so comforting! I don't think there's ever gonna be a time when Box of Rain won't get my mood up!

Writing this was way more fun than I thought it would! Hopefully, many more of these!

Ambition makes you look pretty ugly

Ideally, I should blog everyday when I'm at home. What with the obscene amount of free time. In all the mindless banter of a vacation, however, I can barely string two sentences together. What with free broadband (like free speech, not free beer), add mindless surfing to that. What's the remedy? I wish I knew.

To make things so much better, I have no music with me. Barring all the classic music CDs Naren Mama's managed to bring, and a two-disk album of the "Millennium collection". Funny story about that too. I remember being gifted those CDs in 2002 by my uncle from the UK, all kicked that his nephew will now listen to the real music. Needless to say, I didn't touch those CDs, because I found the music too "weird".

Seven years later, I happened to run into those CDs in my room in college. Turns out I love all the songs on those two disks. Apparently, I heard Paranoid Android and Under Pressure and Glory Box back then and didn't like it.

Life's funny that way, isn't it? Stuff they teach you in school seems so relevant today. In school, if you even managed to mention how awesomely fitting something a teacher said was, it meant being instantly ostracized. I'm not saying it's a bad thing. I'm not even saying it shouldn't happen. It's part of growing up, and all that jazz. Just that it seems delightful looking back and figuring this out!

Wherever I may roam

"Jahaan main jaati hoon wahi chale aate ho

Chori chori mere dil mein samaate ho

Ye toh batao ki tum

Mere kaun ho"

Ever had that feeling when a song reminds you of something else but you have no idea of the specifics? The reminiscence is incredibly strong, fully with goosebumps et al. And things like the sound of rain outside at half past midnight somehow manage to attenuate all of that. The feeling was so strong, the pull was so compelling, I just had to put it down. No amount of thinking is going to get me any closer to knowing what the context is. Maybe it’ll hit me some day when I’m walking about Panjim on a lazy Sunday afternoon, or when I’m riding to the SP college ground early morning for football.

The best part is, it’s a happy feeling. And vague happy feelings out of the proverbial blue are always welcome. Which is probably why I’m not thinking.

Yeah. That’s about it.

Late Night Jazz Ballads

In vaguely browsing through the music I have, I came across a folder in my Jazz collection called "Late Night Jazz Ballads". It was 2:30 AM, and I couldn't see any reason not to play it. Work was a good 6 hours away, and a few soothing progressions couldn't hurt. As I lay propped on my elbow, listening to Jimmy Smith, Dexter Gordon, Ike Quebec and the likes, I had this little memory run-through of all the memorable 2:30 AMs I've had. Owing to my wallpaper being this hard-earned photo of the BITS, Pilani clocktower I'd clicked with the sun setting next to it, the run-through kicked off with memories of Oasis last year. Good times. Expectations shattered. The tones of the tenor sax were more than the perfect catalyst to provoke the memory-walk. I was left wondering why I'd never pulled out this folder before. I imagine all the effort that goes behind a jazz piece. To be technically perfect, to recognize that perfect progression to hit that perfect mood. But I guess in the end, every jazz artist just wants to soothe, just wants to sound good.

As I write this, I realize I don't like getting profound about my music. I would never write a post about any music, overflowing with superlatives, because in my music, the two letter word is the operative (Credit to NT for that very useful phrase). I don't like making an epic out of a piece, I don't like writing about it as if I know every facet of it, because I never will. A true priest will never glamourize God in his writings. A true soccer fan will never write about a particular goal in a rambling fashion. For worship brings with it respect, and when you respect something, you want to attach a humble outlook to it. I might speak more than what is good for my well-being about music, and about particular aspects of it, but when I write it down, I plainly want it to soothe. I just want it to physically light up the senses. I just want it to sound good. Just like a Late Night Jazz Ballad.